- Bildethik
- Categories
- English
- Nutzerbeitrag
- Topics
- Advertising
- Aerial Photography
- Antisemitismus
- Basic Principles of Visual History
- Berlin
- Brazil
- Cold War
- Comics
- Conference, Workshop, CfP
- Controling Images
- Czech Photography
- Digitization and Long-Time Preservation
- Ethnographic Photography
- Fashion Photography
- Film
- France
- Gesellschaft
- Industrial Photography
- Institutions of Photography History
- Länder
- Maps
- Migration
- Museum
- National Socialism
- Persecution of Jews
- Photographers
- Photographic Competitions
- Photography in Class
- Picture Editors
- Picture Postcards
- Posters
- Press Photography
- Privatfotografie
- Scientific Photography
- Socialism
- Urban Photography / Film
- Visual Icons
- War Photography
- Women
- World War I
- World War II
- Bildethik
- Categories
- English
- Nutzerbeitrag
- Topics
- Advertising
- Aerial Photography
- Antisemitismus
- Basic Principles of Visual History
- Berlin
- Brazil
- Cold War
- Comics
- Conference, Workshop, CfP
- Controling Images
- Czech Photography
- Digitization and Long-Time Preservation
- Ethnographic Photography
- Fashion Photography
- Film
- France
- Gesellschaft
- Industrial Photography
- Institutions of Photography History
- Länder
- Maps
- Migration
- Museum
- National Socialism
- Persecution of Jews
- Photographers
- Photographic Competitions
- Photography in Class
- Picture Editors
- Picture Postcards
- Posters
- Press Photography
- Privatfotografie
- Scientific Photography
- Socialism
- Urban Photography / Film
- Visual Icons
- War Photography
- Women
- World War I
- World War II
Socialism
Prora
von Markus Georg Reintgen 07|02|2017„Guten Tag, ich bin der Klassenfeind“
von Sophie Kühnlenz 28|11|2016Durch die Linse von Erich Lessing: Das ungarische Revolutionsjahr 1956
von Violetta Rudolf 01|11|2016Arbeit im Bild
von Christine Bartlitz 17|10|2016Arbeit im Bild
von Agneta Jilek 17|10|2016Picturing Power
von Christine Bartlitz 01|12|2015
Photography in Socialist Societies